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Cultural
tourism presents an unmatched opportunity
for the museums and heritage sector and for
the travel industry |
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UKs
Capital of Culture in 2008 will add to the
enormous investment in cultural facilities
which has already taken place |
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We
need to collaborate
on information and research; and on marketing |
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Our
competition is not others in the sector but
the rapidly growing leisure industry as a
whole |
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Hold on
to speciality and uniqueness
global tourists want to experience
the difference |
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You must
re-invent yourself
"wear a new coat every season"
to get media and trade interest |
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Remember
the lead times for tour operators
at least 12 months |
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Find ways
of working through the structures and the
institutions, which stifle innovation |
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But use
the agencies that can help you
tourist boards, tourist officers, regional
arts boards and soon
the Hubs |
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Marketing
is a day to day task
its hard work |
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Its
not something you can dip in and out of
keep marketing |
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Compromise
is necessary to make collaboration work but
its worth it for the extra punch and
resources |
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Stay
focused, target your audience and be consistent
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David
Quarmby, Chairman,
British Tourist Authority
Cultural
Tourism an introduction (click here) |
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Marianne Klein,
Rotterdam Marketing
Marketing
Rotterdam in 2001 and the benefits
for the future (click here)
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Loyd Grossman,
Chairman, the Campaign for Museums
Prepare
for Change and Challenges (click here)
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Stephen Hetherington,
Project Director, Be in Birmingham 2008
Preparing
Birminghams Bid (click here)
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David Hamilton,
General, Manager, BTA
German
The
Pilcher effect (click here)
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Paull Tickner
of British Heritage Tours
Making
the most of special events, anniversaries
and festivals (click here)
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Christine Melia,
Managing Director, Magna
When
the party is over
. (click here)
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Alison Gilbody,
Marketing Manager, Museum of Science and
Industry in Manchester
A
collaborative campaign (click here)
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Jason Tryandyfullou,
Managing Director, Senior King
The changing leisure experience
and the discussion (click here)
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A
timely event - In five short years, lottery funding
invested in existing and new cultural assets has
achieved a step change in the quality and diversity
of UKs cultural assets.
12
cities across the UK are now competing for nominations
for European City of culture 2008. These two factors
create a real synergy across the country; a sense
of whole being more than the sum of the parts;
a nationwide movement. In
the face of F & M, September 11th
and declining tourism - this is a huge opportunity.
Visitor numbers are recovering, spending is still
10 to 12 per cent down; mainly because of the
recovery is in the lower-spending shorthaul traffic.
But long haul especially from the United State
is not yet recovering. These negative factors
have had a positive result - Government is taking
tourism seriously. Making three BTA Campaigns
possible; the current being Only in Britain, Only
in 2002, offering a partnership model for the
future.
The
growth in low cost air traffic across Europe,
doesnt benefit just outbound but also inbound
travel from Europe. For 2003 we are planning a
capital cities campaign and including London,
Glasgow, Edinburgh and Manchester to promote a
programme of cultural city breaks.
From
the United States we are targeting Affinity Groups.
This is a "mcb" experience - the money
cant buy experience which depends on the
cultural sectors making available behind the scenes
visits, meetings with curators, lectures and private
dinners.
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This
is up to people in the cultural sectors
and these are the six critical factors:
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cultural
activities must be integrated into the life
of the city (London the exception) |
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quality
of experience - finding the balance between
authenticity and the pressure of visitors
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understanding
the audience or market for your product
- research in other words
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get the
destination act together - everything from
signposting to website to branding etc.
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use intermediaries
such as the media, tour operators and tourist
boards
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BTA will
carry the large campaigns; improve the website
and develop cultural tourism markets
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We
have a great opportunity! |
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Prepare
for Change and Challenges
There are three dominant
factors in UK culture.
its
in constant change - seismic change
its
enormously rich - just take museums and galleries
- 2,500
its
institutionalised and subject to state intervention,
political pressure
only a
few cultural attractions existing outside the
mould
Structurally
the change in the museum sector is the bringing
together of museums, libraries and archives, which
in time may be seen as a good thing.
The
regional agenda is becoming more dominant - regional
assemblies as they develop will play a part in
the cultural agenda.
The
widening of higher education where 50 per cent
of all school leavers go to university will in
theory support the growth of the cultural sector.
However, current figures show that the growing
proportion of educated people has not grown the
museums audience substantially.
Why
- possibly too many alternative leisure choices;
technology at home; watch fancy technology and
the prostitution of search engines for example.
The
ageing population will benefit the cultural sector
but:
We
must go on doing things better.
We
must all shout louder in a crowded market place.
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(to come)
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(to come)
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Janet Monteith ETC pointed
out that regional tourist boards, particularly
Southern Tourist Board, had pioneered a benchmarking
system for smaller attractions. This had failed
due to lack of support as they had to make a charge
for this.
Susie
Fisher emphasised the importance of qualitative
measures. Alan Mew agreed and said that they had
built some into their research but more would
be valuable. Susie suggested that attractions
worked together and commissioned syndicated research.
The panel agreed but some were too competitive
to think along those lines.
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Rotterdam was well-known
as a port but not generally as a cultural centre.
People would come to Rotterdam for a specific
event not to enjoy the destination as a whole.
In fact Rotterdam had "water" - the
port, great architecture, festivals and events,
shopping and clubbing and art and culture.
They
only had 3 years to plan Rotterdam City of Culture
in 2001. They had an extra £50 million for events,
only 2 per cent for marketing. In fact "marketing"
was a dirty word, everyone wanted a lot of events.
Rotterdam marketing was only set up at the beginning
of 2001; advance promotion had 8included inviting
domestic and overseas journalists to Rotterdam;
briefing ground operators (but very late); a call
centre was set up to handle booking for all events.
The
results were impressive; 2 million extra visitors;
Rotterdam was featured in 37 international tour
operators programmes (none before); 7 per
cent increase in hotel bookings, 5 percent increase
in visitor spend; media coverage worth 10 million
pounds.
Lessons
learnt:: The importance of collaboration; the
importance of constantly reinventing the product.
In 2003, Rotterdam will be celebrating "water";
in 2005 "Architecture".
Wear
a new coat every season.
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Birmingham
welcomes 24 million visitors a year; already £3
billion has been invested in new cultural facilities.
Birminghams
bid is based on Birminghams culture - the
world in which live and grow and which is constantly
changing.
Birmingham
has a need for a new image - 2008 is an opportunity
to establish a new image for a vibrant Birmingham
where half of all children are now non-white.
Birminghams
bid is based on its facilities and its ability
to deliver; so far some 650 projects are planned
for 2008. Marketing - no plan as yet, but will
retain the local input and responsibility.
In
the question and answer session, several people
raised the importance of promoting to local residents.
Marianne Klein agreed and said creating pride
in Rotterdam with residents was their number one
goal. Stephen agreed. The commitment of volunteers
in Manchester had been incredibly impressive and
contributed to the success of the Manchester Games.
How did you evaluate your success with sponsors,
was another question to Marianne Klein. She answered
with the simple fact that most of them had stayed
on board for new projects although the economic
climate was taking its toll.
The question of sharing
information and the problems of collaboration
in a competitive market was debated again.
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The growth
in cultural tourism
How this depended on being
special and different while part of a global whole
Collaboration
to gather and compare information and data was
essential and small and large players should look
at the best way of achieving this with the help
of agencies such as Resource and the Tourist Boards.
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The story of Rosamunde Pilcher,
the author, and her impact on the German market
was told with great aplomb by David Hamilton.
Here was an English author, who somehow met the
needs of German for experiencing romance rooted
in a kind of reality - Cornwall and the West Country.
The filming of her books by ZDF had created a
huge audience. The BTA had exploited this various
ways. Most successful had been a trail of the
West Country which included the places to visit.
The first two editions of this printed publication
had been sold out and they were now their third
print-run.
The
Rosamunde Pilcher success showed that it was not
always what we assumed to be right for the market
and to spot and develop a trend.
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Making the most of special
events, anniversaries and festivals
Paull explored this theme
in greater detail in relation to the American
market. These are older, seasoned travellers,
now coming in smaller numbers, but still significant.
They want to stay three to five days, they want
something special. Paull, working American travel
agents can create programmes around anniversaries,
celebrations and festivals. He mentioned as an
example the 200th anniversary of Paxton,
the Jane Austen Anniversary with a Festival in
Bath in 2003, Christian Heritage, choirs, Chaucer,
and the Tercententary of John Wesley. This is
potentially a huge market but it is niche.
In
the discussion the subject of Harry Potter came
up and the restrictions put on its promotion by
the film company. Several contributors mentioned
the problems with their local authorities and
others which made it difficult to invest in a
new theme. David Hamilton suggested test-marketing
an idea by using his email newsletters and then
using that as "proof" to the Council
that there was interest!
The four presentations
of the last session concentrated on marketing
with case studies from well-known attractions
and a marketing consultant:
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Repositioning Ironbridge
(to come)
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Christine outline the successful
lunch of Dynamic Earth, Gunwharf Quay, Portsmouth
and Magna. Each had a large marketing budget with
the potential to reach targeted audiences. Each
had been initially very successful exceeding their
targets.
However,
Magna was now settling down around 300,000; Dynamic
Earth similarly; while Gunwharf Quay is still
doing well. The latter is a mix of bars and designer
shopping. Is the party over? Certainly not at
Gunwharf Quay.
Large
marketing budgets buy short-term brand loyalty.
When it comes to the crunch - i.e. current market
conditions, lottery funded attractions had to
be realistic about their potential; make the most
of commercial income but keeping the core brand
i.e. the heritage safe for future generations.
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A collaborative
Campaign
Alison
outlined a collaborative campaign focusing on
her Museum, the Museum of Manchester and the Manchester
Art Gallery. She outlined the challenges relating
to the ERD funding which meant that the money
had to be spent before the Manchester Art Gallery
reopened. She also discussed how they worked towards
a common more family orientated audience as typified
by the first two, but not necessarily by the Manchester
Art Gallery.
The
first ads featured a common logo and a more complicated
message. In the second wave they refocused on
each of their own identities while keeping the
three venues for free in Manchester message.
She
stressed how collaborative campaigns have to be
a compromise and that everyone has their own agenda.
The pooled
resources did however outweigh the disadvantages
and visitor numbers increased by around 20 per
cent. Some of that was due to the campaign.
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Jason analysed the trends
in the current leisure market. It was no longer
enough to offer value for money - visitors wanted
an experience;
he concluded by stressing
the importance of continued marketing.
The
discussion session chaired by Jonathan Bryant,
Chief Executive of Thinktank, considered the competition
for visitors amongst attractions when actually
everyone should focus on the bit leisure pond.
The
problems associated with repositioning and rebranding
were discussed in detail. Many had met opposition
to plans for change from trustees and board members.
Disneyfying
the experience at the Tower of London, for example,
is not the answer. People may think that this
is what they want but deep down most respect traditions
and heritage. The balance is everything.
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Ylva
French, Conference Director, thanked all the speakers,
the delegates, Thinktank, British Tourist Authority
and the Museums Association. Summing up would
follow on the website here it is.
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Let us have your thoughts and ideas on conference
and seminar topics which you would find useful. Email
us
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